Rob Brydon and Steve Coogan: ‘Work-intelligent, Steve’s great. On a own degree, appalling’ | Tv & radio

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It is mid-June in Epidaurus and the temperature is climbing to 35 degrees. There is a burr of cicada and birdsong, and the mountains are a distant blue beyond a row of cypress trees. At the amphitheatre, regarded as the most acoustically and aesthetically ideal example of a Greek theatre, Steve Coogan and Rob Brydon stand 25 rows up, hands on hips, panamas on heads. For a number of minutes they bicker and berate a single a different they impersonate Laurel and Hardy and Richard Burton they discuss Pink Floyd, Ant and Dec, the nature of comedy and tragedy, until their brows dampen and their shirts adhere, and they are compelled to retreat less than ready parasols. A vacationer bearing the pinkened skin of the Brit overseas hovers close. “Are you Rob Brydon?” he asks brightly. “Are you executing a different collection of The Excursion?”

They are indeed. The Excursion to Greece is the fourth instalment of the collection directed by Michael Winterbottom, a display that has proved anything of an not likely achievements. It began in 2010, when the concept demanded a degree of endurance on behalf of the viewer: the pair enjoying augmented versions of their serious-daily life selves, longstanding pals and colleagues who embark on a culinary tour of northern England collectively. It was gradual and refined, mainly improvised, and filled with jokes about Intimate poets, sticky toffee pudding and a glut of Michael Caine impressions. Due to the fact then, they have taken outings to Italy and to Spain, with plots encompassing own and skilled disappointments, intimate entanglements, ruminations on achievements, superstar, masculinity, Byron and Don Quixote, along with deep-fried artichoke flowers, sea bass carpaccio and octopus.

Collection four carries them from Turkey to Ithaca, through Lesbos, Pilos, Athens and Hydra, a loose recreation of Odysseus’s journey household subsequent the slide of Troy. Just before they began taking pictures, Coogan tells me that he diligently study Homer’s epic poem, when Brydon, in spite of his ideal intentions, in some way did not.

“Steve’s northern, operating-course chippiness will work in his favour listed here, I feel,” Brydon suggests. “Because he will make the effort and hard work. While I’m sort of… I under no circumstances get around to it.” Beside him, Coogan shrugs. “Well, I have an appreciation of information,” he says. “Which is possibly anything that point out school attendees have.” Brydon, who was privately educated until the age of fourteen, smiles and leans ahead. “I have an appreciation of quizzes,” he says gently.

Time spent in the business of Brydon and Coogan occupies the sweet spot amongst fiction and truth. There they are, ribbing a single a different in the lobby of an Athens lodge, taking in ice-cream, riding on boats, jumping off rocks into the sea at Hydra – and it is only at times that the cameras are rolling. There is an huge fondness amongst them, their conversation carrying the happy rhythm of acquainted comedy partners – the established-up, the punchline, the hamming of roles: Brydon, the affable family person and king of mild entertainment Coogan, the highbrow foil with a surfeit of Baftas, two Oscar nominations and a own daily life that has generally led to appearances in the tabloids.





Steve Coogan (left) and Rob Brydon 
in The Trip To Greece



‘There’s a template: we know what we’re expected to do’: Coogan (remaining) and Brydon in Greece. Photograph: Andy Hall

“Greek mythology, I thought it was intriguing, but I favored Greek philosophy more,” Coogan says, continuing his cultural appraisal. “And the entire world perspective of the three principal philosophers, Socrates, Plato and Aristotle. For me, acquiring experienced a struggle with religion [he was raised Catholic], it often baffled me that persons adhere to Christianity when there was a more nuanced, holistic tactic to living your daily life that pre-dated it by a number of hundreds of years.” He is not towards Christianity, he insists. “It’s just that masses of idiots have co-opted it. And that hasn’t actually transpired with Greek philosophy. You really do not feel of silly idiotic rightwing fundamentalist Greek thinker followers.”


Partwork of The Trip’s attract is that, along with mainstream references, a lot of of its touchstones are unashamedly realized. This time there are impersonations of Tom Hardy and renditions of Frankie Valli’s Grease, but also extended conversations of Aristotle’s Poetics, and a scene in which the pair enact the demise of Sophocles. These are themes, Coogan argues, that are strikingly modern day. “All that inner discussion inside Greek philosophy, it feels so weirdly and unusually undated,” he says. “As you get more mature and you know you’re going to die, I feel the feeling that these struggles and questions are all perennial, that they transpired in advance of you were being born and they’ll go on soon after you die, and it is portion of a cycle – it is great, actually.”

There is a sense of an ending to this collection. At a screening six months soon after filming finishes, Winterbottom will monthly bill it as the “fourth and last” instalment. The echo of Odysseus, and the storyline of “trying to get household soon after 10 many years away” feels, he says, “like a organic end”. Regardless of whether or not this will establish genuine, his stars converse about their decade of producing The Excursion with a new variety of contemplation.

“I like the poignancy when I check out it back,” Coogan says. “But actually, you know what, the 1st Excursion, to the north of England, I come across that does have a lot of own resonance, and I really do not actually want to glance at it. In the same way I just cannot actually glance at 24 Hour Social gathering Persons [the Winterbottom-helmed movie in which Coogan also starred].” Raised in Manchester, it is the 1st series’ northernness that affects Coogan. “Because it is so close to my coronary heart, the north,” he says. “I just feel there’s anything somewhat maudlin about it.”

That could also be attributed to the gray skies, Brydon factors out. “See, I sort of like gray skies,” Coogan says, wistfully. “I indicate, not all the time, but when you see it on display screen. I feel it is sort of a pallor of disappointment.” He hasn’t viewed that collection back in total, only caught glimpses of it as he’s channel-hopped. “It’s practically like an previous photograph album, since it was us discovering our feet…”

Brydon nods. “Exactly,” he says. “Now we go into it, there’s a template, we know what we’re expected to do. But on that 1st a single, acquiring refused it a number of moments, then made a decision to do it, it was like, ‘Well, what is it?’”

“I do try to remember soon after the 1st shoot, which was the Inn at Whitewell,” Coogan says, “when we’d done what ever we were being executing, some Michael Caine stuff, and then probably working day three, I try to remember declaring to you, ‘This is going to be excellent.’”





Rob Brydon (left) and Steve Coogan in 2020



‘All that inner discussion inside Greek philosophy feels weirdly undated’: Coogan (appropriate) and Brydon. Photograph: Sarah Lee/The Guardian

When Brydon viewed the 1st collection, he was, he admits “mortified”. He laughs. “I thought, it is so gradual! Practically nothing comes about! Which of study course grew to become a single of its strengths.” They discuss the enjoyment of a slower rate in a entire world that is more and more rapidly and abbreviated. Brydon says he watches previous talkshow clips on YouTube, in which conversation unfolds unrushed and unhurried. Coogan recalls the joy of rewatching Kenneth Clark’s Civilisation: “What I really like about it is that it requires its time and permits you to glance at the paintings. I thought, ‘This is actually great – I’m not contemplating about anything when it is now moved on to anything else.’”

In the many years given that The Excursion began, we have seen other programmes that have observed a equally gradual rate – Bob Mortimer and Paul Whitehouse’s Long gone Fishing among them. “Paul phoned me to say, ‘We’re going to do this, how did you do The Excursion?’” Brydon recalls. “And the change is that, with us, there’s a made narrative. I envy Bob and Paul just going out and chatting and acquiring a great time…” Coogan nods. “And not stressing if it is humorous or not.”

On The Excursion, not only is the plot made, so is the pair’s partnership. Nevertheless they have recognized a single a different and worked collectively given that 2000, when Coogan’s Newborn Cow output business built Brydon’s collection Marion And Geoff, their on-display screen dynamic is more combative than in serious daily life. “The foods we have? Which is not how we would have a meal,” Brydon says. “And I wouldn’t be poking him all the time, seeking to undermine his achievements. I’m often declaring, ‘Tell me about it! Oh excellent!’”

“What I do at times is I go, ‘Right, I’m going to attempt to get provocative just to put a firework up its arse and see what comes about,” Coogan clarifies when we fulfill again this thirty day period. “So it doesn’t just grow to be way too blokeily bland.” And a particular sharpness is necessary, he thinks. “I feel persons like that: ‘Hold on, which is a little bit potent.’ It is excellent to have individuals times. It is like teasing a youngster, or not providing the canine its handle.”

Above the study course of four collection, this blurring of truth has coloured how persons answer to them in serious daily life: looking at them as the clubbable Brydon and the prickly Coogan. “You can run away and disguise, which is lovely,” Brydon tells Coogan. “I really do not have that. Because I entrance items as myself, since I am going, ‘Hey! Hello! Welcome to the display! I’m Rob!’”





Rob Brydon in The Trip to northern England in 2011



‘I like gray skies’: Coogan in The Excursion to northern England in 2011. Photograph: Alamy

Coogan smiles. “But in a way that is also an benefit, since persons might feel I’m a little bit of a miserable twat,” he says, and they snicker.

“But it doesn’t hassle you!” Brydon says.

“I’m not that bothered by it,” Coogan concedes. “I need to have to have enough persons like me to want to see my displays, which is all. Over and above that, I really do not actually treatment.”


Throughout his vocation, Coogan has been deeply protective of his private daily life. To this working day, he is relocating ahead with a declare towards the Sunlight as portion of a broader scenario towards press intrusion, nevertheless he is doubtful if it will ever make it to court. He ignores tabloid speculation about his interactions, and has no social media existence. “Sometimes persons arrive up to me and say, ‘Oh, you know some persons were being slagging you off the other working day?’” he says. “And I go, ‘Ah very well, I experienced no thought.’ Because I really do not really know where to come across it.”

The options the pair have built over the life time of The Excursion underscore the divergence in their careers. Even though Coogan will continue to revisit Alan Partridge, his most famous role, he has stepped further into movie acting and collaborations with other writers, such as Tim Critical, Jeff Pope and Sarah Solemani, through Newborn Cow. A six-portion #MeToo drama about a sexist producer and a more youthful feminine director, starring and composed by Coogan and Solemani, was introduced by Channel four past thirty day period.

Brydon, meanwhile, is a frequent panel display existence, and lately revisited his a lot-cherished role in Gavin & Stacey. Soon he will embark on a countrywide tour, combining songs and comedy. Just after talking to Bob Mortimer about Long gone Fishing, he has begun to contemplate some of the travelogue displays he is routinely provided, but continue to desires of more substantial roles – a Succession-sort display, or a Wes Anderson movie. Coogan is encouraging. “Rob did a collection called Human Remains [a macabre comedy] for Newborn Cow many years in the past, which I am continue to a enormous fan of,” he says. “And since he went off in this other course I continue to feel that is anything he requires to examine. I feel you’ve concealed that less than a bushel for a range of many years.”

“The major change amongst Steve and I, apart from something inherent in our personalities, is I have five youngsters,” Brydon carries on. “Two of them are continue to of school age. So when Steve goes off for five months listed here and five months there, that holds no attraction for me. I really do not want to do it, neither am I capable to do it. So you have to glance at a person’s daily life. I have chances in The united states, but I just cannot be out there.” He shrugs, contentedly. “So with him, I’ve reported it till I’m blue in the confront – I’m a appropriate fan of the dude, he’s great. Career-intelligent and perform-intelligent, he’s variety of faultless.” There is a pause. “On a own degree, it is a pretty distinctive story.” Coogan commences to snicker. “Because individually, I can feel of a lot of parts where his conduct is appalling. But there’s practically nothing you can do about that.”





Rob Brydon (left) and Steve Coogan in The Trip To Greece



‘This couldn’t be more idyllic, could it?’: Brydon (remaining) and Coogan in the new collection. Photograph: Andy Hall

Coogan interrupts. “I have loads of distinctive skilled interactions, innovative interactions, which is actually fantastic, since it brings distinctive items out of me. And these interactions are like innovative marriages. And so, in that respect, I’m an inventive bigamist. It is a tiny little bit of a midlife disaster: ‘I’ve acquired to get all this stuff done.’”

In 20 many years, Brydon reminds him, he will be in his 70s. “Yes, so I feel I’ve acquired to get on with this stuff,” Coogan says. “But weirdly, there is a portion of me that thinks, as soon as I’ve acquired all this stuff done, then I can pick and pick a little bit more.”

It is achievable that the demise of Coogan’s father, in 2018, might have contributed to his want to get items done. He references it a couple of moments in conversation – exhibiting me a video of his daughter enjoying the pinball machine that as soon as lived in the Coogan family household he observed it in the attic soon after his father died and experienced it reconditioned. Afterwards, he describes how he drew on the expertise when taking pictures a single of the series’ most poignant times, only for Winterbottom to explain to him it was “too on the nose, way too overly demonstrative. And I reported, ‘What? It was serious!’ And he reported, ‘Well, you’ve acquired to do it again.’” He was aggravated, he says, “because I felt I’d exposed myself. Emotionally, not bodily,” he provides, as if to head off a Brydon quip. He retook the scene. “And he was appropriate to make me do it again, since at times if you’re overdemonstrative then it is disengaging,” he says. “It’s the repression of emotion that in some way attracts persons in. I feel the British trait of not remaining open up, in that Californian navel-gazing sort of way, can make us more intriguing.”

Getting worked with Winterbottom more than a dozen moments, Coogan is delighting in his collaborations with a new generation. “I like operating with younger persons,” he says, and slides his eyes to the remaining, ready for Brydon to make the obvious joke. “I held back!” Brydon cries. “And that took so a lot. Which is drained me.”

Coogan laughs. “I see persons who I feel, ‘Well, I know how they do that’ and they might be technically humorous, and they are pretty excellent, but it leaves me cold,” he says. “And then at times I arrive across persons where I really do not know why they are humorous, or they are producing me snicker for some explanation I just cannot really perform out.” Those people are the persons he would like to perform with. “There’s a organic skilled competitiveness in this sector,” he admits, “but when I see persons who are actually excellent at anything I actually feel the reverse. I feel, if they are producing me snicker I have no envy: I want to help them.”





Steve Coogan (left) and Rob Brydon in The Trip To Italy in 2014



Coogan (remaining) and Brydon in The Excursion To Italy in 2014. Photograph: The Excursion Films Ltd

He is on a roll now. “The other factor is, when you feel like you’ve grow to be portion of the home furniture or the institution, that can make me not comfortable. I really do not like remaining portion of the institution, even nevertheless it indicates I’ve acquired a great house…” “Several,” whispers Brydon. “… and all individuals trappings that go with it,” Coogan carries on.

“Tell her about your cars,” Brydon says. “And materials items like cars,” Coogan nods. “Cars are unusual,” he provides, “because cars are a way of me disengaging from something innovative or ethical – it is like a mind holiday getaway. I really do not actually drive them all. I use general public transportation a lot,” he provides. “But I obtain them. Some persons meditate. I just cannot do that. So I source previous cars and restore them.” “You mechanictate,” Brydon says.

Coogan exhales. “But the factor is, I really do not want to grow to be a staid, conservative with a little c, member of a club. I really do not want to dangle out with persons who have status and dollars, and so I kick towards it. Any captain of sector, any billionaire, any individual who persons glance up to by dint of the materials achievements – I couldn’t give a shit [Coogan lately played a thinly veiled variation of disgraced retail mogul Philip Environmentally friendly in Winterbottom’s Greed]. Not only am I ambivalent about them, I attempt actively to prevent them since I really do not feel it is excellent for you. Not from any fantastic ethical standpoint, or grandstanding – I feel it is poor for you creatively. Maintain away from persons like that if you want to say something relevant. It is like rock bands who do two excellent albums, and then start out hanging spherical with famous persons and having medicine, and all they see is the inside of of hotels. And then the third album’s shit since they’ve acquired practically nothing to say. So I’ve tried out to prevent that.” Brydon appears to be like up. “What sort of bands?” he asks. “Just give us a couple of names.” “Well Oasis, by their possess admission,” Coogan says. “They know their third album was shit since they dropped the plot.”

But this is collection four of The Excursion, I say. “Touché!” shouts Brydon. Coogan laughs. “I would say that I feel collection four is likely the weakest,” he says. “No, I’m remaining disingenuous – I feel persons who really like The Excursion will really like it as a lot as they really like the other people.” Brydon agrees. “When James Taylor releases a new album it appears like a James Taylor record,” he says. “And I feel this will feel just like The Excursion.”


Back in Hydra, Coogan and Brydon sit on a restaurant terrace overlooking the turquoise sea. Brydon sips a glass of sauvignon blanc, and the pair assess the plate of seafood in advance of them that appears to be like “like a fishy Jackson Pollock”. The conversation winds on by the very hot afternoon, by a lot of requires and make-up contact-ups, by the muttered advice of Winterbottom and the arrival of programs and a tortoiseshell cat that winds gently around the desk leg. “This couldn’t be more idyllic, could it?” Brydon says, in advance of the conversation meanders as soon as more – to Al Pacino, the Queen’s honours, Mick Jagger, hydroplanes, body hair, Chris Hemsworth and Aristotle. It is a conversation that could really happily run for ever. But soon the sunshine dips a tiny, and the shadows lengthen, and Brydon at past phone calls for the monthly bill.

The Excursion To Greece is on Sky One particular from three March.

If you would like your remark on this piece to be thought of for Weekend magazine’s letters site, you should e-mail weekend@theguardian.com, like your identify and tackle (not for publication).



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