Comedy at the Covid Arms overview – the excellent formula for lockdown standup | Phase

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The Covid Arms began lifetime as an on-line “pub” the place a group of friends achieved throughout lockdown. Then comedian Kiri Pritchard-McLean was invited to conduct there, and it became 1 of the achievement stories of pandemic-era comedy. Eleven displays later on, it has featured several stellar functions and elevated £86,000 for battling comedians and The Trussell Rely on, a foodstuff financial institution charity.

You can see why the structure took off. It is the high-quality of the comics – on Saturday we acquired Dane Baptiste, Dan Nightingale and Frankie Boyle together with musician Fran Lobo – and it is that “front-row” ticket holders (who pay a lot more) get to chat with MC Pritchard-McLean involving sets, evoking the club-evening vibe. It is also down to Pritchard-McLean’s compering. She does not just do the backlinks – she stays on display screen throughout the other acts’ sets, providing them an individual to engage in off and cackling at their jokes.

It is an odd purpose: the visible avatar for a silent, unseen audience. But she plays it with out self-consciousness, and it offers the demonstrate carry-off. (At other on-line gigs, the audience silence can be deafening.) Lancashire-born comedian Nightingale bounces his whole set off her, and you can’t see the joins involving his material – about new fatherhood, lockdown drinking and Mancunians – and the pair’s sparring.





Beyond compere … Kiri Pritchard McLean.



Past compere … Kiri Pritchard McLean. Photograph: Murdo Macleod/The Guardian

Did I see her expression curdle at Baptiste’s questionable gags about “pussy-grabbing”? If so, only a small. Elsewhere, 1 “crowd-work” segment discovered her negotiating the cancellation of her student financial loan with a staffer from alma mater Salford Uni.

Slash to Glasgow, and a uncommon flash of the true “francis boyle” (his Zoom manage) behind the scorched-earth cynic. The structure finds Boyle in an unfamiliar state, halfway involving a community general performance and a catch-up with a good friend. He reads us the initially chapter of a novel he’s crafting. It is a lot more literary than his standup, of class. But as its deadbeat hero is grilled by police about a mysterious dying, sparks of unmistakable Boyle-ese (1 cop shouts “at the quantity of a pensioner’s telly”) fly off the textual content. It ends in Glasgow noir, then – but these Covid Arms gigs appear like a true bright location in lockdown-era comedy.



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